Sunday, January 18, 2009

Sri Lankan Music

Music of Sri Lanka

The music of Sri Lanka originates in cultural traditions deriving from three influences: the religious practices of Buddhism, the aftereffects of Portuguese colonization, and the commercial and historical influence of Indian culture - specifically, Bollywood cinema. The Theravada sect of Buddhism has influenced Sri Lankan Music since Buddhism arrived in Sri Lanka two millenia ago.

Portuguese colonizers arrived centuries after the Buddha, in the mid 1400s, bringing with them cantiga ballads, ukuleles and guitars; as well as African slaves (referred to, historically, as kaffrinhas), who brought with them a style of music now referred to as baila. The people of these two regions, and the musical traditions they brought with them, served to contribute further to the diverse musical roots of modern Sri Lankan music.


Endemic Instruments (The Béra)

According to the historical record available today, it is believed that several instruments originated within the tribal groups that once inhabited the island presently known as Sri Lanka. Among these, seven remain in use:

1. Gáta Béra - Also referred to as the Kandyan Drum; it is a double-headed, barrel-shaped drum, that is played by hand).

2. Thammátama - A twin-drum (similar to the bongo) that is played with two sticks instead of by hand.

3. Yak Béra - Also referred to as the Low Country Drum; it is a double-headed, barrel-shaped drum, that is played by both hands (one in one side).

4. Udákkiya - A small, hour-glass shaped drum, that is played with one hand while the other hand modifies the tension of a cloth wrapped around its centere (thereby changing the pitch of the drum-head) .

5. Hand Răbāna - A drum similar to the tambourine (except in that it does not possess metal jingles)

6. Daŭla - A double-headed, barrel-shaped drum played by hand (on one side), and by a stick (on the opposite side).

7. Bench Răbāna - Similar to the hand rabana, except larger (it is often played by three to eight individuals simultaneously).

In addition to these drums, a new drum was recently created (in 2000) by Sri Lankan musician Kalasoori Piyasāra Shilpadhipathi, referred to as the Gaŭla - it is a barrel-shaped instrument containing one head from the Gáta Béra, and one from the Daŭla. A set of rudiments (practice rhythms) were also created by him to accommodate the instrument's unique tone.

Also in addition to these drums, the dhōlki is also used by many musicians - though this drum is believed to have descended from those brought to Sri Lanka from India - unlike the aforementioned instruments; which are believed to have existed in Sri Lanka prior to the arrival of the first Indian explorers (though this is difficult to verify due to the proximity of the two nations to one another - it is impossible to say, with any degree of certainty, that no cultural exchange occurred between the peoples of southern India and Sri Lanka prior to any particular date in history).